1,253 Royalty-Free Audio Tracks for "Analog Broadcast"

Notification sound made on va arp 2600.

Decadent strings intro for a video.

A 60hz hum from my living solutions 5. 5'' tv receiving a very low voltage, which caused the tv to hum like crazy. Recorded with my cell phone.

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

Fat square wave sub bass made with z3ta+ and a korg ea-1 mixed through a behringer mixer, recorded with an mpc. 44. 1k 16-bit.

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

Demo fragment from the kobología project, a kontakt library based on the rsf kobol analog synthesizer.

Indescribable sound made in logic.

Dsi prophet08 fx designs.

Experimenting with detuning the oscillators on the monstrous oberheim ob-8 analogue synthesizer. Would love to hear your re-purposing of it!.

Some gnarly tones from the oberheim ob-8 analogue best. Sounds no different than the vst lol. Would love to hear your re-purposing of it!.

This is moog matriarch analog bass! ;). For even more free sounds check my soundcloud page!https://soundcloud. Com/amazeusmusic.

Another quick flip across the am radio dial, passing a couple of stations but mostly static.

Dave smith instruments evolver, internal sequencer, 127 bpm.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Acidic jx3p running through an analogue distortion pedal.

Analog synth makes some examples of hard sync, osc2 sweeping down. Mostly open filter.

Another sloth lfo test. I wanted to see - expected to see - cyclesrepeating. I don't. I have x controlling frequency and y controllinga filter. This recording is 5 minutes so there should be some repetitiveness. . . It's a regular sloth. . . I see 48 second cycles but they are not the same. Cool. Chaos.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.

A repeating synth line with recorded cutoff and effects changes.

Sequence running from a doepfer dark time through the formant classic synth in ableton 9. Reverb and autofilter was added.

8 measure pedal on c using korg wavestation and. Com modular.

From a minimoog.

Created with audacity. ,using different frequencies,noise and different filters.

A modular “jazz patch”. This is straight out of the modular synth.

A bass line created with uoki-toki polivoks vcf as sound source and doepfer a-124 wasp as filter. The wasp filter is modulated by dinsync modseq.

Decided to call this sound "electronic modular rhythm" since i found only one other spot on the net with that combination of words. Probably is there some sort of mistake to write like that, but now we are two to make that mistake. This is straight out of the modular. No processing but amplification. Please find a part that loops nice in your ears.

Here's a heap of snapshot samples of the synare 3, a vintage analog drum synth circa 1980. They were recorded through an avalon u5 and mackie mixer, and are completely dry. Theres percussion and alot of synth type sounds.

808 cymbal (or open hihat) sent through through a joe meek optical compressor. The analog processing filled out the sound in a nice way.

Snare-ish sound from analog modular synth.

Snare-ish sound from analog modular synth.

A variety of weird drone-type sounds directly recorded from a korg monotron, with no additional processing.

Low pitch static which reminds me of 1950s sci-fi television. Created by filtering a static wave from an analog radio then slowing the pitch and adding a mechanization effect.

I switched on and off an old tape recorder. You can hear hum noise like an early synthesizer. The reason why it makes such noise is not sure, but that's the most important part of analog devices. Computer software cannot do that.

This comes from a drum synth function on an old mysterious electric organ. It also features the analog reverb enabled. I recorded this straight from the speaker 24bit with a sony pcm-d50.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Made this drone a couple days ago time to upload. . .

Using an analog "buttset" or test-set telephone, clipping the leads from an exfomaxtester device and hearing the tones from testing a line, at a terminal/crossbox location (roadside). Cut some low frequencies and added 2s, 5s, then 3s digital-delay effects automated and a reverb effect.

1 looping envelope and 2 vclfos in a dance (chain connected). I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with one of the vclfos in vco-mode. After about 17 sec i swith to lfo-mode. Records and hope that a pattern should emerge. I have been listening, and looking at the wave form, in different modes, but i'm not sure if there is a pattern in this recording. . . Maybe to advanced for me. There is - some -sort of pattern repeating every 22 sec. Or?.

Some random and a "bad" analog delay.

Sons produits par un ordinateur. Son enregistré avec un zoom h4n pro. Sounds produce by a computer. Sound recorded with a zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Short resonance sweeps created on the roland sh-101 synthesizer. These work nicely for ambient electronic sounds (add some delay) or transition effects.

Bacteria music made with modular synth.

Minibrute noise con brute factor 60% -> tascam dr-60dmkii.

Analog sawtooth waveform passing through a series of ap filters to disperse the phase.